The Problem Is the Solution 2008

FLOYD, Emily

Registration number

1450685

Artist/maker

FLOYD, Emily

Printer

Australian Print Workshop

Title

The Problem Is the Solution

Production date

2008

Medium

relief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate, edition 13/15

Dimensions (H x W x D)

29.5 x 42 cm (image)

Inscriptions

THE PROBLEM IS / THE SOLUTION [extensive text]

Credit line

Purchased, 2010
City of Melbourne Art and Heritage Collection Courtesy the artist and Anna Schwartz Gallery

Keywords

Emily Floyd, 2008, The Problem is the Solution

Summary

Emily Floyd’s art practice encompasses printmaking, sculpture, installation and public artwork. Perhaps most recognisable are her large, colourful, text-based sculptures, which link to her family history of toy-making, and her bold typographical works (she first trained as a graphic designer). Playful and spirited, these works also reveal the comprehensive research, deep consideration and intellectual rigour that Floyd brings to her art-making. Her work engages with feminism, alternative education, community activism, science fiction and leftist politics, and these intellectual touchstones are given shape by the possibilities offered by archives, collections and design and art traditions – particularly Bauhaus and Russian constructivism. Always approachable, Floyd’s artworks encourage us to think critically about the world we live in and they stimulate debate on issues that impact on individuals and communities. ‘A Little Community’, ‘The Problem Is the Solution’ and ‘It’s Time (Again)’ came into the Art and Heritage Collection from the Australian Print Workshop in 2010. Each produced in an edition of 15, the three works showcase the artist’s consummate skill as a critically and historically engaged printmaker. The works straddle literary, graphic and leftist traditions, reflecting concrete poetry, poster design and the graphic potential of typography in their form, and community activism and social politics in their content. Iconographically and in the resolute call to action, Floyd teases out strands of ecological and social history, making cross-generational connections between the 1970s and today through a continuum of social, cultural and environmental conundrums. The typographical design of ‘The Problem Is the Solution’ pictorially embodies the title’s declaration, the circle illustrating the balanced and symbiotic relation of yin and yang. This work is paean to permaculture, a sustainable model for agriculture developed by David Holmgren and Bill Mollison in the late 1970s, based on principles of integrated environmental and ecological design. Floyd’s ‘The Problem Is the Solution’ provokes us to think about sustainability and holistic systems in a world defined by ever-depleting resources.